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Gujarati theatre refers to theatre performed in the Gujarati language, including its dialects. Gujarati theatre is produced mainly in Gujarat and Maharashtra, in cities like Mumbai, Ahmedabad and Baroda, surat and else where Gujarati diaspora exists, especially North America. Rustam Sohrab, performed by Parsee Natak Mandali on 29 October 1853 in Mumbai, marked the beginning of Gujarati theatre.
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.[1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle’s Poetics (c. 335 BC)—the earliest work of dramatic theory
Mime is a form of drama where the action of a story is told only through the movement of the body. Drama can be combined with music: the dramatic text in opera is generally sung throughout; as for in some ballets dance “expresses or imitates emotion, character, and narrative action”.
Gradually as the numbers of plays being written and performed in Gujarati increased things changed, and finally a theatre group to steer away from the tradition of Parsi theatre and the Bhavai and incorporated elements of Indian and Western dramaturgy was Arya Subodh Natak Mandali was formed in 1878, in Morbi by Mulji and Vaghji Oza, and their first production, Bharthari continued to be staged in Gujarat and Saurashtra region for many years. In the 1880s, as many as seven theatre groups came up, including Deshi Natak Samaj started by Dahyabhai Dholashaji, which lasted from 1889 to 1980.Gujarati Natak Mandali (1878–89) and its successor Mumbai Gujarati Natak Mandali (1889-1948) were pioneer Gujarati theatre companies.
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